The production of “Cosi fan tutte” now at Lyric Opera of Chicago is a beauty. And in its playful but unquestionably bittersweet exploration of love, fidelity, betrayal and the unreliable nature of both men and women, it could easily have been written yesterday.
You will catch only a brief glimpse of the big explosion of hair, but in “Bunny Bunny” at Mercury Theater Chicago you will fully feel the manic energy and rapid-fire comic responses of Gilda Radner.
Chicago is dancing up a storm this season, and plans for an exceptionally strong 2018-2019 season are already being announced. A preview of what’s to come.
In Paramount’s revival of the 1966 musical, director-choreographer Katie Spelman not only finds a perfect balance between the personal and political, but fully captures the flamboyant decadence of 1930s Weimar Germany without exploiting the pure shock value of its sexual antics.
The Chicago Sun-Times theater critic gives us her take on highly recommended shows from Court Theatre, Griffin Theatre, TimeLine, Shattered Globe, Drury Lane and Paramount Theatre.