Thanks to our sponsors:

View all sponsors

|
Lady Macbeth (Chaon Cross) is taunted by the unseen Weird Sisters in Chicago Shakespeare Theater’s production of “Macbeth.” (Photo by Liz Lauren)

This immensely compelling production adapted and directed by playwright Aaron Posner and the magician Teller is filled with a full array of sensory treats.

|
From left: Chuckie Benson, Michael Mahler, Zachary Stevenson and Kieran McCabe in “Buddy: The Buddy Holly Story.” (Photo credit: Michael Brosilow)

Zachary Stevenson – a bravura performer who is the spittin’ image of the character he plays, and who possesses the voice, moves, guitar licks and irresistible energy of the “original” – is proof that Buddy Holly lives. 

|
Samantha Hill, center, as Nellie in “South Pacific” at Drury Lane Oakbrook Theatre. (Photo by Brett Beiner)

There seems to be an unofficial renaissance of Rodgers and Hammerstein musicals by way of three classics from the 1940s. Is this mere coincidence, or a a much-needed balm?

|
Barry DeBois and Tiffany Topol in “Once” at the Paramount Theatre in Aurora. (Photo credit: Liz Lauren)

The stunning performers now gathered on the stage of the Paramount Theatre bring this unconventional piece of musical theater to life with a beguiling mix of emotional depth and comic zest.

|
Visceral Dance Chicago performs Nick Pupillo’s “The Dream.” (Photo by Quinn Wharton)

Nick Pupillo’s haunting, hourlong narrative work, performed in collaboration with the Chicago Philharmonic, highlights the impressive dramatic skills of the Visceral dancers.

|
Joffrey Ballet’s North American premiere of “Midsummer Night’s Dream.” (Photo by Cheryl Mann)

You will never experience anything quite like it. Alexander Ekman’s “Midsummer Night’s Dream” is now receiving its North American premiere by the Joffrey Ballet, and it is a monumental achievement on every level.

|
Liam Quealy as Huey Calhoun and Aeriel Williams as Felicia Farrell in “Memphis” from Porchlight Music Theatre. (Photo by Michael Courier)

A transformative evening in the theater, Porchlight Music Theatre’s production features galvanic direction, volcanic dancing, a powerhouse onstage band and a large, fiercely talented cast.

|
Zell Music Director Riccardo Muti leads the Chicago Symphony Orchestra in a program of works by Debussy and Tchaikovsky in the final weekend of his April residency at Symphony Center. (© Todd Rosenberg)

The work of both composers shares the Chicago Symphony Orchestra’s current program led by Maestro Riccardo Muti. And the result is a most winning mix of opposing musical temperaments.

|
Rainn Wilson and Celeste M. Cooper in “The Doppelgänger (an international farce)” by Matthew-Lee Erlbach. (Photo by Michael Brosilow)

A sort of equal-opportunity snake pit of corruption, violence and ridiculous sex-capades, Matthew-Lee Erlbach’s play is now receiving its world premiere at Steppenwolf Theatre.

|
Hershey Felder in “Our Great Tchaikovsky” at Steppenwolf Upstairs Theatre.

For those still unfamiliar with the magic Hershey Felder can create, an introduction to the man, whose enthralling show about Tchaikovsky is now in a limited engagement at Steppenwolf’s Upstairs Theatre, is essential.

|

The beautifully thought-out program serves as a subtle but revealing portrait of the deep but varied influences that have taken root in this country.

|
“Carousel” on Broadway. (Credit: Julieta Cervantes)

In many ways this show was ahead of its time when it was created. And now, whatever the flaws might be in this 21st century “rotation,” it is worth the price of a ticket for a ride on the “Carousel.”

|
Guest conductor Matthias Pintscher leads the CSO in Ravel’s orchestration of Debussy’s “Saraband and Danse.” (Photo © Todd Rosenberg)

The concert now being performed by the Chicago Symphony Orchestra and Chorus – with the German conductor-composer Matthias Pintscher in flawless command – is sure to serve as a vivid reminder that Maurice Ravel’s genius was far more complex than “Bolero.”

|
Curtis Edward Jackson, left, and Rudy Galvan in Raven Theatre’s world premiere of “The Gentleman Caller.” (Photo by Michael Brosilow)

A richly evocative new play by Philip Dawkins is now receiving a vividly acted world premiere at Raven Theatre.

|
Frankie Leo Bennett as Tobias Ragg in “Sweeney Todd” at Theo Ubique Cabaret Theatre. (Credit: Cody Jolly Photography)

Theater critic Hedy Weiss reviews “Pretty Woman,” “Sweeney Todd,” plus dramas at the Goodman Theatre and more.

|
From left: Julian Parker, Kayla Carter, Deanna Myers and Erik Hellman in “Smart People” at Writers Theatre.

In her brilliant play “Smart People,” Lydia R. Diamond creates an impossibly thorny and twisted verbal, emotional and intellectual maze of race, sex and “super-achieverdom.”

randomness