You will catch only a brief glimpse of the big explosion of hair, but in “Bunny Bunny” at Mercury Theater Chicago you will fully feel the manic energy and rapid-fire comic responses of Gilda Radner.
Chicago is dancing up a storm this season, and plans for an exceptionally strong 2018-2019 season are already being announced. A preview of what’s to come.
In Paramount’s revival of the 1966 musical, director-choreographer Katie Spelman not only finds a perfect balance between the personal and political, but fully captures the flamboyant decadence of 1930s Weimar Germany without exploiting the pure shock value of its sexual antics.
The Joffrey Ballet’s winter program is a stunning showcase of the prowess of its dancers, as well as the stellar talents of the Chicago Philharmonic and music director Scott Speck.
Lyric Opera of Chicago announces its 2018-2019 season, including Massenet’s “Cendrillon” (“Cinderella”), a Lyric premiere of a new-to-Chicago production.
“Ragtime,” Ronald Reagan and a rarely seen Stephen Sondheim show are currently featured on Chicago-area stages. Theater critic Hedy Weiss joins us with recommendations – and two exclusive reviews.
Actor John Mahoney died Sunday at the age of 77. He was best known for his role as Martin Crane in the hit series “Frasier,” but Mahoney was also a long-time ensemble member at Steppenwolf Theatre.
Actors Richard Thomas and Pamela Reed talk about the comedy of “The Humans,” a touring play with deep Chicago roots.
The author, actor and former “Saturday Night Live” cast member tells us about her new stand-up residency at The Second City.
Classical music gets a soulful twist in a show that reaches from Chicago’s Auditorium Theatre to a notorious prison in Louisiana.
Hedy Weiss reviews alternative holiday shows on Chicago stages—with not a “Nutcracker” or “Christmas Carol” in sight.
The Goodman Theatre marks its 40th year of presenting the holiday classic with some new actors, some new interpretations and new ways to bring in audiences.
Exploring the connection between a controversial painting at the Art Institute and the new play “Red Velvet” at Chicago Shakespeare Theater.
Chicago Sun-Times theater and dance critic Hedy Weiss shares her recommendations from Porchlight Music Theatre, Lookingglass, Goodman, Black Ensemble Theater and BoHo Theatre.
What brought about the new business arrangement of two of Chicago’s most prominent cultural institutions? We speak with two of the driving forces behind each company.
The fall theater season is in full swing. Chicago Sun-Times theater and dance critic Hedy Weiss shares her recommendations at the Court Theatre, Goodman Theatre, Lyric Opera and more.