Although everything they touch turns to gold these days, nothing quite reveals the brilliance of the musicians of the Chicago Symphony Orchestra quite like the challenge of a Mahler masterwork.
An intensely disciplined, fearless, altogether remarkable ensemble of sophisticated young artists brings this singular – and singularly riveting – docu-drama to life.
Among its several honors, Will Snider’s “How to Use a Knife” was named a finalist for a PEN Center USA Literary Award. Based on this exceptional Shattered Globe production alone, it should have won the prize.
This immensely compelling production adapted and directed by playwright Aaron Posner and the magician Teller is filled with a full array of sensory treats.
There seems to be an unofficial renaissance of Rodgers and Hammerstein musicals by way of three classics from the 1940s. Is this mere coincidence, or a a much-needed balm?
The stunning performers now gathered on the stage of the Paramount Theatre bring this unconventional piece of musical theater to life with a beguiling mix of emotional depth and comic zest.
Nick Pupillo’s haunting, hourlong narrative work, performed in collaboration with the Chicago Philharmonic, highlights the impressive dramatic skills of the Visceral dancers.
You will never experience anything quite like it. Alexander Ekman’s “Midsummer Night’s Dream” is now receiving its North American premiere by the Joffrey Ballet, and it is a monumental achievement on every level.
A transformative evening in the theater, Porchlight Music Theatre’s production features galvanic direction, volcanic dancing, a powerhouse onstage band and a large, fiercely talented cast.
The work of both composers shares the Chicago Symphony Orchestra’s current program led by Maestro Riccardo Muti. And the result is a most winning mix of opposing musical temperaments.
A sort of equal-opportunity snake pit of corruption, violence and ridiculous sex-capades, Matthew-Lee Erlbach’s play is now receiving its world premiere at Steppenwolf Theatre.
For those still unfamiliar with the magic Hershey Felder can create, an introduction to the man, whose enthralling show about Tchaikovsky is now in a limited engagement at Steppenwolf’s Upstairs Theatre, is essential.
The beautifully thought-out program serves as a subtle but revealing portrait of the deep but varied influences that have taken root in this country.
In many ways this show was ahead of its time when it was created. And now, whatever the flaws might be in this 21st century “rotation,” it is worth the price of a ticket for a ride on the “Carousel.”